Orchids roll their eyes
Heavy
Into the back of their
pistols
We stand grotesque
In one of the largest garden pools
We,
waxy wet rainforest
We
(who)
Produces an orange to orange
sun lip
FOUL
SPOTTED LICKING EACHOTHERS’ SCENTS
THIS SPECIES OCCURS WITHOUT CALLOUS MISNAMING
Our,
Swollen cloud lips require fire toothed
Fangs
We do best mounted.
Oblonging for leather dense throats
IF GIVEN CONSISTENTLY UNIFORM MOISTURE
We appear half open
AND
EASY TO FORWARD PROJECT
INTO A
tongue
CRAMP OUR ROOTS TOGETHER UNTIL
We odor
We elongate cinnamon
and wait for the
heavily
blotched
horn.
THIS SPECIES OCCURS WITHOUT CALLOUS MISNAMING
You ,
Red eyed with reward
Sharply spined disgust creeps into a
15 - 25 CM ERECTION
You ,
Persist long after
FERTILIZATION
Even when the
OVARY IS VISIBLY FORE FINGERED FORAGED
IT BECOMES INCREASINGLY RARE FOR
VIGOROUS GROWTH TO RAPIDLY
FORM AFTER OVERINDULGENT CULTIVATION
The visitations happen at the outer halves of bars
Several small insects question you at the yellow side lobes
WE TRANSPLANTED OURSELVES BEFORE YOU EVER COULD.
House of Kilig is a Trans + Queer diaspora centered collective that utilizes kapwa and kilig as a compass in pursuit of interdisciplinary art creation, teaching artistry, and community organizing that manifests a world where QT folx across diaspora can thrive. The House of Kilig brings forth embodiment practices and divine performance technologies to center joy, celebration, and generative containers. Kilig is a Tagalog word that describes the somatic experience of feeling butterflies in one’s stomach when met with exhilaration, elation, excitement towards a person, idea, place or thing.